<\/p>\n\n\n\n
For Dmitry Margolin I have high hopes.<\/span><\/p>\n \u041e\u043d \u0443\u043c\u0443\u0434\u0440\u0438\u043b\u0441\u044f \u043f\u0440\u043e\u0439\u0442\u0438 \u043f\u0435\u0440\u0438\u043e\u0434 \u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0438\u044f \u0431\u0435\u0437 \u0432\u043d\u0435\u0448\u043d\u0438\u0445 \u0432\u043c\u0435\u0448\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432: \u0434\u0432\u0438\u0433\u0430\u043b\u0441\u044f \u0441\u0430\u043c, \u043d\u0430 \u043e\u0449\u0443\u043f\u044c, \u0441\u043f\u043e\u0442\u044b\u043a\u0430\u044f\u0441\u044c, \u043d\u043e \u043d\u0435 \u0437\u0430\u043f\u0440\u0430\u0448\u0438\u0432\u0430\u044f \u0433\u0430\u043b\u0435\u0440\u0435\u0439\u043d\u043e\u0439 \u0438\u043b\u0438 \u043a\u0443\u0440\u0430\u0442\u043e\u0440\u0441\u043a\u043e\u0439 \u043f\u043e\u0434\u043c\u043e\u0433\u0438. \u041e\u043d \u0432\u043e\u043e\u0431\u0449\u0435 \u043f\u043e\u043a\u0430 \u0447\u0442\u043e \u043f\u0440\u0430\u0432\u0438\u043b\u044c\u043d\u044b\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a: \u043d\u0435 \u0442\u0443\u0441\u043e\u0432\u043e\u0447\u043d\u044b\u0439, \u043d\u0435 \u0433\u043b\u0430\u043c\u0443\u0440\u043d\u044b\u0439, \u043d\u0435 \u043f\u0443\u0431\u043b\u0438\u0447\u043d\u044b\u0439. \u041f\u0440\u0435\u043f\u043e\u0434\u0430\u0435\u0442 \u0440\u0438\u0441\u0443\u043d\u043e\u043a \u0443\u0447\u0435\u043d\u0438\u043a\u0430\u043c \u043b\u0438\u0446\u0435\u044f \u0438\u043c. \u0411. \u0418\u043e\u0433\u0430\u043d\u0441\u043e\u043d\u0430, \u0431\u0443\u0434\u0443\u0449\u0438\u043c \u0430\u0431\u0438\u0442\u0443\u0440\u0438\u0435\u043d\u0442\u0430\u043c \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0438 (\u0432 \u043c\u043e\u0435 \u0432\u0440\u0435\u043c\u044f \u044d\u0442\u043e\u0442 \u043b\u0438\u0446\u0435\u0439 \u043d\u0430\u0437\u044b\u0432\u0430\u043b\u0441\u044f \u0421\u0440\u0435\u0434\u043d\u0435\u0439 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u0448\u043a\u043e\u043b\u043e\u0439 \u043f\u0440\u0438 \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0435 \u0438\u043c. \u0418. \u0415. \u0420\u0435\u043f\u0438\u043d\u0430, \u0430 \u0443\u0447\u0435\u043d\u0438\u043a\u0438, \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0435\u043d\u043d\u043e, \u0441\u044d\u0445\u044d\u0448\u0430\u0442\u0438\u043a\u0430\u043c\u0438). \u0412\u044b\u0432\u043e\u0437\u0438\u0442 \u0438\u0445 \u043d\u0430 \u043b\u0435\u0442\u043d\u044e\u044e \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0443. \u0412\u043e\u0437\u0438\u0442\u0441\u044f \u0441 \u043d\u0438\u043c\u0438, \u0432\u0441\u0435 \u043f\u043e-\u0447\u0435\u0441\u0442\u043d\u043e\u043c\u0443. \u0414\u0430 \u0438 \u0441\u0430\u043c \u043e\u043d \u0441\u0432\u043e\u0439 \u0431\u0440\u0430\u0442, \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0439: \u0443\u0447\u0438\u043b\u0441\u044f \u0432 \u044d\u0442\u043e\u043c \u043b\u0438\u0446\u0435\u0435, \u0437\u0430\u0442\u0435\u043c \u2014 \u0432 \u0420\u0435\u043f\u0438\u043d\u0441\u043a\u043e\u043c \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0435. \u0415\u0433\u043e \u043e\u0434\u043d\u043e\u043a\u0430\u0448\u043d\u0438\u043a\u0438 \u2014 \u0441\u043b\u043e\u0436\u043d\u043e\u0435 \u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u0435: \u043a\u0442\u043e \u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0435\u0442 \u0438 \u043f\u0440\u043e\u0434\u0430\u0435\u0442\u0441\u044f \u00ab\u043f\u043e \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u043e\u0439 \u043b\u0438\u043d\u0438\u0438\u00bb (\u043f\u043e\u043a\u0430 \u0447\u0442\u043e \u0435\u0434\u0438\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u0433\u0435\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u043d\u0430\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u0435, \u0433\u0434\u0435 \u0432\u043e\u0441\u0442\u0440\u0435\u0431\u043e\u0432\u0430\u043d \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u0432\u0448\u0438\u0439\u0441\u044f \u0443 \u043d\u0430\u0441 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0446\u0435\u043d\u0437), \u043a\u0442\u043e \u043f\u0435\u0440\u0435\u0431\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0441\u043b\u0443\u0447\u0430\u0439\u043d\u044b\u043c\u0438 \u0437\u0430\u043a\u0430\u0437\u0430\u043c\u0438, \u0441\u0447\u0438\u0442\u0430\u043d\u043d\u044b\u0435 \u0435\u0434\u0438\u043d\u0438\u0446\u044b \u043f\u0440\u0438\u0431\u0438\u043b\u0438\u0441\u044c \u043a \u0431\u0435\u0440\u0435\u0433\u0430\u043c contemporary art. \u041a \u0441\u0430\u043c\u043e\u0439 \u043a\u0440\u043e\u043c\u043a\u0435 \u2014 \u043f\u043e\u043a\u0430 \u0447\u0442\u043e \u0432\u0433\u043b\u0443\u0431\u044c \u044d\u0442\u043e\u0439 \u0442\u0435\u0440\u0440\u0438\u0442\u043e\u0440\u0438\u0438 \u043d\u0438\u043a\u0442\u043e \u043d\u0435 \u043f\u0440\u043e\u0431\u0440\u0430\u043b\u0441\u044f. \u041c\u0430\u0440\u0433\u043e\u043b\u0438\u043d \u0437\u0430\u0431\u0438\u043b\u0441\u044f \u043d\u0430 \u0432\u0435\u0440\u0445\u043e\u0442\u0443\u0440\u0443 \u0442\u043e\u0433\u043e \u0441\u0430\u043c\u043e\u0433\u043e \u043b\u0438\u0446\u0435\u044f, \u0433\u0434\u0435 \u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0435\u0442, \u0442\u0430\u043c \u0443 \u043d\u0435\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0430\u044f. \u042f \u043c\u043d\u043e\u0433\u0430\u0436\u0434\u044b \u0447\u0435\u0440\u0442\u044b\u0445\u0430\u043b\u0441\u044f, \u043f\u043e\u043a\u0443\u0434\u0430 \u0442\u0443\u0434\u0430 \u0432\u0441\u043a\u0430\u0440\u0430\u0431\u043a\u0430\u043b\u0441\u044f. \u041f\u043e\u043c\u0435\u0449\u0435\u043d\u0438\u0435 \u0441\u0443\u0433\u0443\u0431\u043e \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435, \u0434\u0430\u0436\u0435 \u0442\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u0435, \u0441 \u043c\u043e\u043b\u044c\u0431\u0435\u0440\u0442\u0430\u043c\u0438 \u0438 \u043f\u0430\u0440\u043e\u0439 \u0441\u0442\u0443\u043b\u044c\u0435\u0432, \u043d\u0435 \u043f\u0440\u0435\u0434\u043d\u0430\u0437\u043d\u0430\u0447\u0435\u043d\u043d\u043e\u0435 \u0434\u043b\u044f \u043f\u0440\u0438\u0435\u043c\u0430 \u0432\u0430\u0436\u043d\u044b\u0445 \u043b\u044e\u0434\u0435\u0439 \u0438 \u0432\u043e\u043e\u0431\u0449\u0435 \u0434\u043b\u044f \u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0441\u0432\u0435\u0442\u0441\u043a\u0438\u0445 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u043e\u0432. \u0417\u0430\u0442\u043e, \u043f\u0440\u0438 \u0432\u0441\u0435\u0439 \u0441\u043a\u0443\u0434\u043e\u0441\u0442\u0438, \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0435 \u043c\u0435\u0441\u0442\u043e, \u0447\u0442\u043e\u0431\u044b \u043f\u0435\u0440\u0435\u0441\u0438\u0434\u0435\u0442\u044c \u043e\u043f\u0430\u0441\u043d\u043e\u0441\u0442\u0438 \u0438 \u0441\u043e\u0431\u043b\u0430\u0437\u043d\u044b, \u0441\u043e\u0441\u0440\u0435\u0434\u043e\u0442\u043e\u0447\u0438\u0442\u044c\u0441\u044f \u043d\u0435 \u043d\u0430 \u0442\u0430\u043a\u0442\u0438\u043a\u0435 \u0438 \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u0438 \u043f\u0440\u043e\u0434\u0432\u0438\u0436\u0435\u043d\u0438\u044f, \u0430 \u043d\u0430 \u0442\u043e\u043c, \u0447\u0442\u043e \u0442\u0430\u043c \u0441\u0432\u0435\u0440\u0431\u0438\u0442 \u0432\u043d\u0443\u0442\u0440\u0438. \u041f\u043e\u0445\u043e\u0436\u0435, \u041c\u0430\u0440\u0433\u043e\u043b\u0438\u043d \u043d\u0435 \u043e\u0441\u043e\u0431\u043e \u0437\u0430\u0431\u043e\u0442\u0438\u0442\u0441\u044f \u043e \u043a\u0440\u0443\u0433\u0435 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043e\u0431\u0449\u0435\u043d\u0438\u044f\u2014 \u0432\u0435\u0434\u0435\u0442 \u0441\u0443\u0433\u0443\u0431\u043e \u0447\u0430\u0441\u0442\u043d\u0443\u044e \u0436\u0438\u0437\u043d\u044c, \u0440\u0430\u0441\u0441\u0435\u043a\u0430\u0435\u0442 \u043d\u0430 \u0432\u0435\u043b\u043e\u0441\u0438\u043f\u0435\u0434\u0435, \u0436\u0438\u0432\u0435\u0442 \u0441 \u0441\u0435\u043c\u044c\u0435\u0439 \u0433\u0434\u0435-\u0442\u043e \u0432 \u0413\u0430\u0442\u0447\u0438\u043d\u0435. \u0412\u044b\u0441\u0442\u0430\u0432\u043a\u0438 \u0443 \u043d\u0435\u0433\u043e \u0431\u044b\u043b\u0438, \u0432 \u0442\u043e\u043c \u0447\u0438\u0441\u043b\u0435 \u0432 \u00ab\u042d\u0440\u0430\u0440\u0442\u0435\u00bb. \u041d\u043e \u043e\u0441\u043e\u0431\u043e\u0433\u043e \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u044f \u043d\u0435 \u0432\u044b\u0437\u0432\u0430\u043b\u0438 \u2014 \u043d\u0435 \u0431\u044b\u043b\u043e \u0432 \u043d\u0438\u0445 \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u043e\u0433\u043e \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u043d\u044c\u044e\u0441\u043c\u0435\u0439\u043a\u0435\u0440\u0441\u0442\u0432\u0430. \u041a\u0430\u043a\u0438\u0435 \u0442\u0430\u043c \u00ab\u043d\u044c\u044e\u0441\u00bb \u2014 \u0432\u0441\u0435 \u0431\u0438\u0431\u043b\u0435\u0439\u0441\u043a\u043e\u0435 \u0438\u043b\u0438 \u0441\u0435\u043c\u0435\u0439\u043d\u043e\u0435. \u041d\u0443 \u0438 \u00ab\u043c\u0435\u0439\u043a\u0435\u0440\u0441\u0442\u0432\u0430\u00bb \u043d\u0435 \u0431\u044b\u043b\u043e \u2014 \u0442\u043e \u0435\u0441\u0442\u044c \u043c\u0430\u0441\u0441\u043c\u0435\u0434\u0438\u0439\u043d\u043e\u0439 \u043f\u043e\u0434\u0433\u043e\u0442\u043e\u0432\u043a\u0438, \u0432\u043e\u043e\u0431\u0449\u0435 \u043f\u043e\u043f\u0430\u0434\u0430\u043d\u0438\u044f \u0432 \u0441\u0442\u0432\u043e\u0440 \u043f\u0443\u0431\u043b\u0438\u0447\u043d\u044b\u0445 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043e\u0432. \u041f\u043e-\u043c\u043e\u0435\u043c\u0443, \u0442\u043e\u043b\u044c\u043a\u043e \u043a\u043e\u043b\u043b\u0435\u0433\u0430 \u0418\u0432\u0430\u043d \u0427\u0435\u0447\u043e\u0442 \u0437\u0430\u043c\u0435\u0442\u0438\u043b \u041c\u0430\u0440\u0433\u043e\u043b\u0438\u043d\u0430 \u0438 \u043d\u0430\u043f\u0438\u0441\u0430\u043b \u043e \u043d\u0435\u043c. \u0427\u0442\u043e \u0436, \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0427\u0435\u0447\u043e\u0442\u0430 \u0434\u043e\u0440\u043e\u0433\u043e\u0433\u043e \u0441\u0442\u043e\u0438\u0442\u2026<\/span><\/p>\n And so this exhibit at the Gromov Art Centre, I believe, will be a revelation. The artist is, in fact, established. And, at the same time, not hackneyed, not in the thrall of the galleries. And he is not too prone to answering any sort of question. For sure it is a rare thing, an artist at home with himself. Of course this is a balance that is not very hard to shake up or disrupt, for one, with success. I, however, think that Margolin is too engaged with his own world to falter and respond to external stimuli.<\/span><\/p>\n Margolin is an artist steeped in the academy. This has its pros and cons. Two-hundred year-old plaster casts and senior projects have not only been preserved in the Academy of Fine Arts Museum, they accumulate in the minds of the graduates. There are at least some who try to take in the Academy not only as a skill-set but as a mentality.<\/span><\/p>\n Margolin has an etching called The Raising of Jairus\u2019 Daughter. The older generation of graduates knocked up against this subject. Take Polenov or Repin, each has his own version of the parable, but they have something in common: the idea of perfection in pictorial and plastic realisation. There is a correlation of canons: the biblical and academic. Curiously, an artist does not articulate references to classic versions of realising the gospel story, though those references themselves can be the subject of contemporary works. But \u2018art about art\u2019 is not for Margolin. This engraving is \u2018about\u2019 the phenomenon of resurrection. This approach gives rise to primitive forms which is in itself an image of directness, a rejection of mediation (reference to precedents from the history of art is an example of such mediation), an effort to confront the emotional source. The squat characters, engraved in large strokes, are somewhat fetal. They are in becoming, in the process of the transition from disbelief and scepticism to being \u2018astonished with a great astonishment\u2019 at what was being done. In the relatively early series of Job and his Wife Margolin \u2018reconciles\u2019 everyday situations of the biblical parable matrix. This fitting is not a buskined exaltation of the banal. Rather it is an attempt to give a poignant existential note to the constant sorrows of mundane despair.<\/span><\/p>\n These pieces seem to have a more thoroughly worked out representational basis. Later Margolin loses his mimetic foundations. Voids appear, colours bleed, scales compete with one another. Expressive, fragmentary, gestural writing creates a picture of the world, that, apparently, is authentic to Margolin\u2019s mentality as it is now. It is whole and homogeneous in its discontinuity, I would say, in its tatters. Available reality is on the verge of succumbing to entropy. It is truly illogical: the horizontally hanging figures have nothing in common with Chagall\u2019s soaring lovers. This is the naturalness of the flow of life, where everything is set upside down.<\/span><\/p>\n However illogic and absurdism are concepts too heady for Margolin\u2019s \u2018picture of the world\u2019. It refers to the tradition of Russian absurdism \u2013 to Daniel Kharms first of all. But it seems to me that Margolin is far from playing at the illogical. All that he does is serious, everything is imbued with existential force. He draws the seamy side of Russian life that is a dysfunctional and conflicted place. In Petersburg this is Ligovsky Prospekt, then Kem\u2019 and the Solovetsky Islands. This is, in Ilya Il\u2019fa\u2019s words, \u2018soil, heavily manured with the everyday\u2019. This everyday is conflicted, hopeless, merciless. Of course degrees of decay can differ. In the series Romanov-Borisoglebsk nothing particularly bad happens. The provincial inhabitants\u2019 appearance is exaggerated, but within the standards of traditional social criticism. In Ligovka. Galleria, the situation has already come to a boil, down to Petersburgian dregs. In the 1840s there was a writers\u2019 collection published with the title Physiologies of Petersburg. Of course, literati of the naturalistic school published within their own naturalistic limits. Now it seems quite harmless. Well, with Margolin, physiology runs off the charts. He describes some kind of anthropological catastrophe. The inhabitants of his paintings are prostitutes, beggars, punks. The air of his Ligovka is riven with lust, aggression, baser instincts. Here you can see the distant echoes of classic German expressionism in its post-war recension: despair of the hungry and crippled, hatred for the well-fed. But if there is an echo of that tradition here, it is an elusive one. As has already been mentioned, Margolin does not do \u2018art about art\u2019. His is about life. Life \u2018captured\u2019, not even grotesquely but dramatically. The grotesque for him is a technique, and Margolin has his vision: he is an artist of anxiety, panic attacks, acute reactions. What is the root of this anxiety that some may find excessive? (And some, I think, will reactivate that old Soviet bogey by charging him with defamation). Could it be in our native, historical trauma? In his series devoted to the Solovetsky Islands (naturally, not to the architectural and religious monuments, but to the current life of this regional centre, some particular \u2018Sovietskaya street\u2019), small scenes of contemporary personal exchange \u2018germinate\u2019 ominous images of the infamous gulag whose very utterance saturates the compositions with violence and humiliation. So there is a basis for such references. And there are others (After the Execution) where the modern, while being particular down to the women\u2019s clothes and the ammunition of the soldier-\u201castronauts\u201d, far outgrows its place in the Bible. This, I think, is the most important point. Margolin\u2019s art is infused with a humanistic, humane tone. The artist with some na\u00efve vulnerability refers to an eternal distribution of roles \u2013 victim, executioner, curious observer, indifferent crowd, each immersed in their own, low-slung passions.<\/span><\/p>\n Expressiveness, brutality, cruelty \u2013 his language is largely a tool to cover up his vulnerability. Margolin remains in the mainstream of representation, physicality even. This physicality is particularly noticeable in his series of etchings on the Apocalypse. The flesh crawls under the fire of the passions. The image, owing to the etching process, eats into the surface. Watercolour fills the furrows as if to quench the excessive heat.<\/span><\/p>\n So it is time to take note of this fully-formed, serious artist.<\/span><\/p>\n\n\n From The Streetwise and the Celestial. St. Petersburg: Svoe Izdatelstvo, 2018.<\/span><\/span><\/p>\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" \u0423\u043b\u0438\u0447\u043d\u043e\u0435 \u0438 \u041d\u0435\u0431\u0435\u0441\u043d\u043e\u0435 \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0411\u043e\u0440\u043e\u0432\u0441\u043a\u0438\u0439 \u0421 \u0414\u043c\u0438\u0442\u0440\u0438\u0435\u043c \u041c\u0430\u0440\u0433\u043e\u043b\u0438\u043d\u044b\u043c \u0443 \u043c\u0435\u043d\u044f \u0441\u0432\u044f\u0437\u0430\u043d\u044b \u0431\u043e\u043b\u044c\u0448\u0438\u0435 \u043e\u0436\u0438\u0434\u0430\u043d\u0438\u044f. \u041e\u043d \u0443\u043c\u0443\u0434\u0440\u0438\u043b\u0441\u044f \u043f\u0440\u043e\u0439\u0442\u0438 \u043f\u0435\u0440\u0438\u043e\u0434 \u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0438\u044f \u0431\u0435\u0437 \u0432\u043d\u0435\u0448\u043d\u0438\u0445 \u0432\u043c\u0435\u0448\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432: \u0434\u0432\u0438\u0433\u0430\u043b\u0441\u044f \u0441\u0430\u043c, \u043d\u0430 \u043e\u0449\u0443\u043f\u044c, \u0441\u043f\u043e\u0442\u044b\u043a\u0430\u044f\u0441\u044c, \u043d\u043e \u043d\u0435 \u0437\u0430\u043f\u0440\u0430\u0448\u0438\u0432\u0430\u044f \u0433\u0430\u043b\u0435\u0440\u0435\u0439\u043d\u043e\u0439 \u0438\u043b\u0438 \u043a\u0443\u0440\u0430\u0442\u043e\u0440\u0441\u043a\u043e\u0439 \u043f\u043e\u0434\u043c\u043e\u0433\u0438. \u041e\u043d \u0432\u043e\u043e\u0431\u0449\u0435 \u043f\u043e\u043a\u0430 \u0447\u0442\u043e \u043f\u0440\u0430\u0432\u0438\u043b\u044c\u043d\u044b\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a: \u043d\u0435 \u0442\u0443\u0441\u043e\u0432\u043e\u0447\u043d\u044b\u0439, \u043d\u0435 \u0433\u043b\u0430\u043c\u0443\u0440\u043d\u044b\u0439, \u043d\u0435 \u043f\u0443\u0431\u043b\u0438\u0447\u043d\u044b\u0439. \u041f\u0440\u0435\u043f\u043e\u0434\u0430\u0435\u0442 \u0440\u0438\u0441\u0443\u043d\u043e\u043a \u0443\u0447\u0435\u043d\u0438\u043a\u0430\u043c \u043b\u0438\u0446\u0435\u044f \u0438\u043c. \u0411. \u0418\u043e\u0433\u0430\u043d\u0441\u043e\u043d\u0430, \u0431\u0443\u0434\u0443\u0449\u0438\u043c \u0430\u0431\u0438\u0442\u0443\u0440\u0438\u0435\u043d\u0442\u0430\u043c \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0438 […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"footnotes":""},"class_list":["post-835","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/pages\/835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/comments?post=835"}],"version-history":[{"count":5,"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/pages\/835\/revisions"}],"predecessor-version":[{"id":966,"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/pages\/835\/revisions\/966"}],"wp:attachment":[{"href":"https:\/\/dmitrymargolin.ru\/en\/wp-json\/wp\/v2\/media?parent=835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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